Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, 11 October 2009

Impressionist art in Villa Manin

Hi!
I went to an art exhibition today and I really enjoyed it. Luckily the weather was very fine, a sunny, cool day, more similar to Spring than to the beginning of Autumn.
The exhibiton took place in the beautiful villa Manin Passariano in Codroipo (Udine) and contained mainly impressionist and realist paintings.





The paintings were not as many as I thought they would be, but there were some really beautiful pieces of art mainly by French, Russian, Hungarian, artists. There were also very famous artists like Monet, Renoir, Pisarro, Serov, Levitan, Courbet, Van Gogh, l'ecole de Barbizon.





The impressionist and the realist paintings were not divided in two separated areas but organised in different themes like: water, farming, portraits, etc, and even if this could be quite confusing at first, I liked this choice, it gave a nice organisation to the exhibition.
Some impressionist paintings had a wonderful light and bright colours, at the right distance you could say the movement contained in the scene and all that brushstrokes and stains took the form of a field with flowers, a railway, a forest.
I'm not the biggest fan of Realist art but there were some really impressive pieces, especially some landscapes, so realistic to seem photographs.
Behind the Villa there was a big, beautiful garden where we took a nice walk; a big lawn and many trees created a very relaxing atmosphere, there were two little lakes, squirrels and some statues.









Here there are some of the paintings that I loved the most:




Pierre Auguste Renoir - Monet Painting in His Garden at Argenteuil



Monet - Morning On The Seine



Monet - Tulips field in Sassenhein near Leiden



Jòsef Chelmonski - Jay in the forest


Goodbye!!! (^___^)/~

Friday, 30 May 2008

Visiting Venice ~ part 2: the Guggenheim collection


Here we are with the second part of my tour in Venice: the Guggenheim museum.

Yesterday, I went with one of my friend (Federica!), to visit this museum.
I had been there only once, during a trip in primary school, so obviously I remembered nothing but some colours' perceptions and some vague feelings. It was an incredibly hot day yesterday and because of this our lesson and our trip was quite tiring.

The Guggenheim museum is situated near the Academy bridge (ponte dell'Accademia) and it has been Peggy Guggenheim's house until 1979. She lived among her favourite paintings and sculptures and in the museum you can still see her table with chairs, her silver bedhead, etc.


Let's say that contemporary art is not my favourite kind of art, but despite of this I appreciated the collection, at least for some paintings and artworks (I'm posting some pictures here).



The main artists and artistic mouvements you can find in the collection are: Pablo Picasso, Wassily Kandinsky, Pollock, Max Ernst, Delaunay, De Chirico, Futurism painters like Boccioni, Carrà, Russolo, Surrealists like Dalì and Tanguy.
I enjoyed the paintings (well, at least some of them!) I must say that it's really different to see them in a book and to look at them in a museum. The colours and the brightness of some oil paintings give such a different kind of emotion when you can see them in fron of your eyes.
So, even if I don't like Futurism as a mouvement, I found myself enjoying some of those paintings too.


The museum is quite small, smaller than I thought, it has a beautiful "terrace" on the Canal Grande and a small garden where you can see some sculptures, a wish-tree (a Yoko Ono's present to Peggy) and also Peggy's grave.



In the museum cafè, there are a lot of artists' photographs on the walls, and as usual there's a museum shop (really expensive though! >.<) where I bought a postcard of the painting that had impressed me when I was a child: "Solidità della nebbia" (The solidity of fog), made by Luigi Russolo, an italian painter born in a city nearby. It was quite a strange feeling to see that painting and suddenly remembering that time in the past when those colours impressed my childish imagination.


Some other paintings and works I liked:


So, this is was the last visit before exams.. (´ヘ`;) now I have to study a lot!! >.<
Bye, bye! (´ー`)/~~

*images credits (in order):
1 - The museum entrance
2 - Delaunay - fenetres ouvertes (open windows)
3 - Kandinky - Weisses Kreuz (white crosses)
4 - Max Ernst - couple zoomorphe
5 - The museum terrace on the Canal Grande
6 - Luigi Russolo - Solidità della nebbia (the solidity of fog)
7- Calder - silver bedhead
8 - Delvaux - l'aurore
9 - Max Ernst - the Antipope
10 - Tanguy - le soleil dans son ecrin
11 - Clyfford Still - Jamais
12 - Picasso - le poete (the poet)

Saturday, 24 May 2008

Visiting Venice ~ part 1: the Marciana library


Yesterday was really a tiring day.. all dedicated to one of my art exams.

First, I went to look for (= photocopy) some books in the University library and I wasn't able to find one .__. I hope I will find that next week.

Then, with one of my friends (who has been a great support.. thanks!) we decided to visit the Marciana Library in Venice, that is situated in S. Marco square and is the most important in Venice and one of the biggest in Italy.
When we arrived there, we found out that in order to visit the rooms with the paintings we had to enter Museum Correr (in S. Marco square too) and make a ticket which allowed us to visit all the museum Correr ._.
We were a little disappointed because we didn't know what the museum was exposing and the ticket was expensive even for students ( ´゚д゚`)えーーー

I had a wonderful surprise entering the first room that was the Ballroom of the palace (that was really beautiful and decorated too): there were some Canova's sculptures exposed there! I love Canova's works of art so I spent most of the time in that room looking at them. There were Orpheus, Euridice, Dedalo and Icarus, Italic Venus, Paride and a little Eros.
Especially Orpheus was so beautiful.. I stared at him most of the time. He has perfect hands and body, and such a moved expression.



After that we went through all the rooms in the museum and we saw some old painting about Venice that were interesting, a little dark but beautiful and very lively, full of movement and people. There were 2 or 3 rooms dedicated to the old weapons used in the army (that were quite scary), and then other rooms with very old paintings (1200-1300) and part of statues I wasn't really interested in. There was even a little area about Egypt! I was quite surprised about that.




Finally we arrived at the Marciana Library, and it was smaller that I expected. Inside the library there are soft lights so the atmosphere is quite dark and quiet. It was built starting from 1537 and the project was made by the architect Jacopo Sansovino. It was the place where noble's sons could study and the several paintings on its ceilings and walls are mainly meant to inspire their study and behaviour.
On the ceiling there are 21 round paintings made by some of the most famous artists of the time like Tiziano, Veronese, Alessandro Vittoria, Tintoretto and many others.
In the room there were also some world spheres exposed, made with wood (I guess) and representing both the earth surface and the constellations (through animal images), they seemed very old and were fascinating.
There's also a public part of the library open to people who are looking for books and want to read them.
In the room after the library there's a vestibule where you can see some sculpures and a stair called "scalone" that has a ceiling and a cupola with a lot of decorations (made by Vittoria, Battista Franco and B. Del Moro), with angels and mythological figures painted and sculpted in squared and octagonal golden frames. We sat there for a moment (even because we were exhausted), outside there was a storm and we could hear music played somewhere outside the palace.
The stair and the vestibule were projected by Sansovino as the main entrance to the Library, but we found out it was closed, so we only looked at it without walking on it.

Next visit will be the Guggenheim museum, about modern - contemporary art (not for the same exam of course... for another one! XD)!

Now I'll put some images here. I didn't take them, because we both forgot the camera ^^; but I found them on the web.
The external part of the Library is fascinating, isn't it? I can't say much about that because I didn't study for the exam yet ^^;; but you can see that.

bye bye!! :D またね (・∀・)/~~

Friday, 28 September 2007

I have great faith in fools; self-confidence my friends call it.

" And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!"
(The Raven)

Today I’d like to say something about my favourite writer
: Edgar Allan Poe.

First, something about his life. His childhood was not so happy. He was born in 1809 in Boston, his parents were actors but he soon became an orphan. Then John Allan, a merchant from Richmond took care of him.
Also in this new family there were many contrasts and problems, especially with his stepfather, and for all his life, Edgar, had serious problems with alcoholism and gambling debts. Because of these problems he was also expelled from the Charlottesville’s Virginia University, in spite of his good marks.

He managed to become a journalist in the
Southern Literary Messenger, and in 1835 he married his little 14 years-old cousin, in Richmond. He died of Delirium Tremens on 7th October 1849.

His most important novel is “The Narrative of Arthur Gordon Pym”, but he is famous especially thanks to his tales, that have been collected in different collections like “Tales of the Grotesque and Arabesque” and his poems, like “The Raven” and “Lenore”.
This journalist, with his modest and tormented life probably didn’t imagine the movement and influences that his works would have inspired in the future literature and arts.
His writing-style has been inspired by past writers of the Pre-romantic movement like Lord Byron, or even p
revious ones like Nathaniel Hawthorne, but the number of artists he has influenced is also remarkable and doesn’t concern only literature.

He is indeed considered the precursor of artistic currents like the Symbolist, the Decadent and the Surrealist movement, and of novels by writers as Hoffmann, Baudelaire, Rimbaud, Mallarmè, Verlaine, Oscar Wilde, Arthur Conan Doyle, and especially Lovecraft whose style is strongly inspired by Allan Poe’s writing. His way of analyse, helped also the creation of the deductive method of surveying, and consequently, of Sherlock Holmes character.
In Visual Arts, Allan Poe inspired the illustrations of some Surrealist painters as Redon who created a collection named “To Edgar Allan Poe and Felicién Rops who painted “La mort au Bal”, a theme that we can find in the tale: “The Masque of the red death”.
There are also several Short Films and Movies about his Tales and his life,
like The Pit and the Pendulum (1961), The Masque of the Red Death (1964), The Tomb of Ligeia (1965), and The Oblong
Box (1969) and Nevermore among many others. Also several theatre theatrical performance have been based on these plots.
In Music composers like Claude Debussy among others has been inspired by the his tales and composed an Opera based on “The Fall of the house of the Usher”.
Lately also in videogames and comics
among others kind of entertainment we can find traces of the atmosphere and the images that Poe has created.

In his writing he managed to combine his wild imagination with a rigorous technique. In his surreal plot, reality is altered through shadows, noises, and suggestions that constitute it and let our mind slip in what Burke, talking about the Sublime, defined “that state of the soul in which all his motions are suspended with some degrees of horror”.
In most cases, this situation is not altered by occult or preternatural events, as we may imagine, but only by the deceits of our mind, unable to fully understand a reality more unpredictable and bizarre than any fanciful dream.
We can find an example of this in the tale “
The Murders in the Rue Morgue. I think that a great influence of this way of representing fear in found also in Maupassant’s tales, like “Sur l’eau”.
Allan Poe’s tales are similar to nightmares, pieces of dreams, made of dialogs, apparitions, fears, and the most frightening, dreamy and
unfathomable emoti
ons.

Some of my favourites tales are:

- The fall of the House of Usher

- The Masque of the Red Death

- The Pit and the Pendulum

- The Murders in the Rue Morgue

- Eleonora

- The Thousand-and-second Tale of Scheherazade

The home in which Poe lived is in Baltimore, preserved as the Edgar Allan Poe House and Museum and the oldest home in Richmond, is in use as the Edgar Allan Poe Museum, though Poe never lived there.


"Men have called me mad; but the question is not yet settled, whether madness is or is not the loftiest intelligence — whether much that is glorious- whether all that is profound — does not spring from disease of thought — from moods of mind exalted at the expense of the general intellect."
(Eleonora)

----------------------

Oggi, vorrei parlare un po’ del mio scrittore preferito: Edgar Allan Poe.

Innanzitutto, partiamo brevemente dalla sua vita. La sua infanzia non fu felice, nato nel 1809 a Boston, figlio di attori girovaghi, rimase presto orfano, e venne adottato da un mercante di Richmond, John Allan. Anche nella nuova famiglia ebbe molte crisi famigliari e contrasti, soprattutto con il patrigno, e per tutta la vita portò con sé il problema dell’alcolismo e dei debiti di gioco a causa dei quali venne espulso dalla Virginia University di Charlottesville, nonostante i suoi buoni voti.
Egli diventerà in seguito un giornalista del Southern Literary Messenger e nel 1835 sposa a Richmond, la cugina, appena quattordicenne. Muore di delirium tremens il 7 ottobre del 1849.

Il suo romanzo più famoso è ”La storia di Arthur Gordon Pym”, ma è conosciuto soprattutto per i suoi racconti, di cui troviamo diverse raccolte come ad esempio “I racconti del Grottesco”, e per le sue poesie, tra cui spicca “The Raven” (il Corvo).
Questo giornalista dalla vita umile e tormentata dal vizio dell’alcool e del gioco non immaginava probabilmente il movimento che la sua opera letteraria avrebbe ispirato nella letteratura e nell’arte in avvenire. Il suo stile è stato ispirato da scrittori del periodo pre-Romantico, come Lord Byron e da alcuni di epoche precedenti come Nathaniel Hawthorne, ma il numero di artisti che ha saputo ispirate è notevole e non si limita al
campo letterario. Egli infatti viene indicato in parte come l’ispiratore dei movimenti Simbolisti, Decadenti e Surrealisti, e di opere di scrittori tra i quali Hoffmann, Baudelaire, Rimbaud, Mallarmè, Verlaine, Oscar Wilde, Arthur Conan Doyle e soprattutto di Lovecraft (1890-1937), che ebbe in lui la sua fonte di ispirazione primaria, e il cui stile gli deve moltissimo.
Senza di lui non vi sarebbe la nascita del metodo d’indagine deduttivo e con questo, di Sherlock Holmes.

Nelle Arti Visive, Poe ha ispirato le illustrazioni di vari pittori Surrealisti, tra cui Redon, che creò una serie di illustrazioni intitolata proprio “A Edgar Allan Poe” e Felicién Rops che nel suo “La mort au bal” sembra riprendere il tema del racconto “La maschera della morte rossa”.
Sono stati prodotti vari Cortometraggi tratti dai suoi racconti, come Il pozzo e il pendolo (1961), La maschera della morte rossa (1964), La tomba di Ligeia (1965), La cassa oblunga (1969) e Nevermore, tra i tanti. Anche le rappresentazioni teatrali basate su questi racconti non sono mancate.

Nei suoi scritti egli ha saputo coniugare la sua fervida fantasia e immaginazione ad un certo rigore tecnico. Nella sua trama delirante, la realtà si deforma, si altera attraverso le ombre, i rumori, le suggestioni che la abitano e la compongono, e fa piombare la nostra mente in quello che Burke, riferendosi al Sublime definisce “that state of the soul in which all his motions are suspended with some degrees of horror”. Questa realtà nella maggior parte dei casi non è realmente soggetta ad azioni sovrannaturali come la situazione ci porterebbe a pensare, se non a quella degli inganni della nostra mente, incapace di indagare a fondo una realtà molto più imprevedibile e fantasiosa di qualsiasi sogno fantastico. Un esempio di questo l'abbiamo nei "Delitti della Rue Morgue". I suoi racconti sembrano incubi, proiezioni oniriche, squarci di sogni, fatti di dialoghi, apparizioni, paure, intrise delle emozioni più angoscianti, sognanti ed insondabili.

Tra i racconti segnalo i miei preferiti, ovvero:
- La caduta della casa degli Usher
- La maschera della morte rossa
- Il pozzo ed il pendolo
- I delitti della Rue Morgue
- Eleonora
- La Milleduesima Notte di Schahrazàd

A questa pagina si trovano molti dei racconti in italiano.

Oggi, la casa in cui Poe visse, si trova a Baltimore, mantenuta come “Casa di Edgar Allan Poe e Museo” e la vecchia casa di Richmond è in uso come Museo anche se Poe non vi ha mai vissuto.

"Gli uomini mi hanno definito pazzo, ma non è ancora ben chiaro se la pazzia sia o non sia la più alta forma di intelligenza e se la manifestazioni più meravigliose e profonde dell'ingegno umano non nascano da una deformazione morbosa del pensiero, da aspetti mentali esaltati a spese dell'intelletto normale."
(Eleonora)

*Images credits:
1) Portrait of Edgar Allan Poe
2) "The Raven" by Gustave Dorè
3) "The Raven" by Odillon Redon
4) "La mort au Bal" by Felicién Rops